ARTIST IN RESIDENCE

 

SCOPE COLLECTIVE

April 2024 – April, 2025

Scope Collective is currently comprised of Elizabeth Hénaff, Heather Parrish, Léonard Roussel, and Seth Wenger. Their methods include environmental sampling, bioinformatic analysis, field recording, multi-scale media generation, and waiting for things to grow. Scope aspires to construct spaces of close observation that challenge the incumbent hierarchical relationships of nature and culture.

As artists in residence at BioBAT, they are pursuing ongoing experimentation and artistic production related to their piece CHANNEL, part of the 2024-2025 Water Stories exhibit.

CHANNEL

This work emerges from the remarkable microbiome inhabiting the Gowanus Canal’s contaminated sediment. Over many decades of deposited manufacturing waste, these microorganisms have evolved to remediate our toxic trace. The federally subsidized cleanup plan currently underway is to dredge what toxic sediment can be removed and cap the rest with concrete. This intervention will suddenly disrupt the long evolved metabolisms which led to the microbial remediation.

This piece offers egress from our anthropocentric perspective of contaminated vs. natural environments, a human exercise in channeling microbial life. How might we develop unexpected sensitivities and responsibilities towards the often overlooked actors and agents of our intersecting environments – the microscopic, the nonhuman, the nonliving? Here we construct a space for contemplation of these hard to see but vibrant cohabitants, through slow growth and high-resolution documentation.

Multiple channels of media and materials are imagined around, and accompanied by water and living sediment harvested from the tidal system defined by the ebullient Gowanus Canal as it merges with the Bay Ridge Channel.

 
 
 
 

Photo by Sasha Charoensub

Photo by Sasha Charoensub

 

LAURA SPLAN

July 1, 2020 – March 14, 2021

We are pleased to host Laura Splan as our first artist in residence at BioBAT Art Space during our COVID-19 pause in exhibition programming. Laura Splan is a Brooklyn-based artist whose transdisciplinary work intersects biology, technology, design and craft. Her conceptually-based work mines the materiality of science to reveal poetic subjectivities, invisible structures, and hidden labor. Her mixed media artworks integrate artifacts and tools of biotechnology, including the wool of laboratory llamas and molecular modeling software. Her recent research examines the complexity and precarity of both natural and built systems that have been brought to the fore during the current global crisis. During this experimental residency, Laura will create site-specific artworks that respond to the pandemic and to the gallery’s proximity to the biotech laboratories at BioBAT Inc.

SOLO EXHIBITION
Unraveling: new Animations by Laura Splan
August 15, 2020 - March 14, 2021
Timed Entry Viewings March 6 - 14, 2021 (reservation Required)


 
 

Laura Splan is a Brooklyn-based artist whose transdisciplinary work intersects science, technology, design and craft. Her biomedical themed artworks have been commissioned by The Centers for Disease Control Foundation, Gen Art New Media Art Exhibition, and Davidson College. Splan's work has been exhibited at the Museum of Arts & Design and Beall Center for Art + Technology and is represented in the collections of the Thoma Art Foundation, The Chan Zuckerberg Initiative, and the NYU Langone Art Collection. Reviews and articles including her work have appeared in The New York Times, Discover Magazine, Hyperallergic, American Craft and Frieze. Splan has received research funding from The Jerome Foundation and her residencies have been supported by The Knight Foundation, The Institute for Electronic Arts, Harvestworks, and The Pollock-Krasner Foundation. She has been a visiting lecturer at Stanford University teaching interdisciplinary courses including “Embodied Interfaces”, “Data as Material” and “Art & Biology”. She is currently a Creative Experiments track member at NEW INC, the New Museum’s cultural incubator. She is also collaborating with biotech company Integral Molecular on a new series of molecular modeling animations in a remote bioart residency at the uCity Science Center supported the Dolfinger-McMahon Foundation.